Souvenir
was originally produced on Broadway by Ted Snowdon in association with
Janice Montana and by arrangement with the
York Theater Company.
The Play: From DPS program notes:
For more than half a century the name Florence
Foster Jenkins has been guaranteed to produce explosions of derisive laughter.
Not unreasonably so, as this wealthy society eccentric suffered under the
delusion that she was a great coloratura soprano when she was in fact incapable
of producing two consecutive notes in tune.
Nevertheless, her annual recitals in the
ballroom of the Ritz Carlton hotel brought her extraordinary fame.
As news of her terrible singing spread, so did her celebrity. Her
growing mob of fans packed her recitals, stuffing handkerchiefs in their
mouths to stifle their laughter--which Mrs. Jenkins blissfully mistook
for cheers.
The climax of her career was a single concert
at Carnegie Hall in 1944. Famously, it sold out in two hours.
Souvenir, both hilarious and poignant, tells
her story through the eyes of her piano accompanist, Cosme McMoon.
A talented musician, he regards her at first as little more than an easy
way to pay the rent, but as he gets to know her, his initial contempt gives
way to reluctant admiration, then friendship, then affection.
Eyewitness accounts of their concerts vary
so wildly it is almost impossible now to separate fact from gossip.
Hence this fictional "biography," in which we follow the story of their
partnership from its earliest days to their concert in Carnegie Hall and
its aftermath.
With each new imagined triumph Florence's
confidence soars. Faced with her boundless certainty, Cosme comes
to revise his attitude, not only towards her singing but to the very meaning
of music itself. As the play ends, the audience enters her world
completely, finding there the beauty she'd heard in her head all along.
A musical odd couple for the ages.
"A beguiling comic jewel with a heart." Variety
"Life hold a funhouse mirror to art in Souvenir,
Stephen Temperley's wildly funny and surprisingly touching portrait of
real-life musical laughingstock Florence Foster Jenkins...a memorable illustration
of the real limits of self-perception, and of the purely theatrical magic
that can turn the tinniest ear to gold." Time Out
"Tone-deaf but utterly pitch-perfect.
What is extraordinary about Souvenir is that Temperley has made Jenkins
for all her foolishness, a remarkably sympathetic woman, You never
doubt that Jenkins has tremendous dedication to the composers whose works
she massacres...To have made Jenkins a tender, poignant human being is
breathtaking...A kind of loony triumph." The New York Daily News
"If you're lucky enough to see Souvenir...,
you'll have one distinct advantage over Jenkins' audiences. You won't
have to try to keep your body from shaking or stuff your handkerchief in
your mouth to hide your laughter. And laugh you will....Souvenir raises
questions about how we see ourselves and how others see us, how we make
music and how we make judgments about people making music...So go laugh
to your heart's content. There weren't many voices as bad as Jenkins'.
There aren't many theatrical experiences as good as Souvenir." The Boston
Globe
"...an unexpectedly gentle and affecting
comedy." The New York Times |